{"id":1409,"date":"2016-05-04T16:45:23","date_gmt":"2016-05-04T12:45:23","guid":{"rendered":"http:\/\/www.frzl.ru\/?p=1409"},"modified":"2024-05-28T12:45:30","modified_gmt":"2024-05-28T09:45:30","slug":"exit-in-grey","status":"publish","type":"post","link":"https:\/\/frzl.ru\/index.php\/2016\/05\/04\/exit-in-grey\/","title":{"rendered":"Exit In Grey"},"content":{"rendered":"<style>\n\ttable {\n    border: none;\n    border-collapse: collapse;\n}\n\ttd {\n    border: none;\n}\n\t#artist{max-width:600px;\n\t}\n<\/style>\n<div id=\"artist\">\n<p>\nExit In Grey is a project by Sergey Suhovik, musician and artist from the sub-Moscow city of Pushkino. Stanislav Volkov (1984-2012, the project is Abandoned Head) was a second member of Exit In Grey until 2006., Exit In Grey music is concurrently beautiful and disturbing, painful and clear Drone Ambient created mostly with the help of electric guitars, field and radio recordings, various otherworldly sounds, noises, waves, and other sources (bells, wind instruments, violin, voices, pulsations of the Universe). Exit In Grey performs live, participating in various festivals. Sergey also creates music within his other projects \u2013 Five Elements Music (Field Recordings), Sister Loolomie (Digital Ambient), etc. He runs several music labels \u2013 Still*Sleep, Semperflorens, Daphnia Records and Teta-Morphosis (together with Dmitry Chistov \/ HUM).\n<\/p>\n<h3>Discography:<\/h3>\n<table>\n<tbody>\n<tr>\n<td width=\"80px\"><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2020\/11\/Path-Of-Doubt-50.jpg\" align=\"middle\"><\/td>\n<td><a href=\"https:\/\/frzl.ru\/index.php\/lyric\/path-of-doubt\/\"> \u00abPath Of Doubt\u00bb <\/a> (2020, Frozen Light)  <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2020\/11\/Control-Points-50.jpg\" align=\"middle\"><\/td>\n<td><a href=\"https:\/\/frzl.ru\/index.php\/lyric\/control-points\/\"> \u00abControl Points\u00bb <\/a> (2020, Frozen Light) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2020\/07\/K7-disc-50.jpg\"  align=\"middle\"><\/td>\n<td><a href=\"https:\/\/frzl.ru\/index.php\/lyric\/k7\/\"> \u00abK7\u00bb <\/a> (2020, Frozen Light) <\/td>\n<\/tr\n\n\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2019\/11\/exit-in-the-grey-50.jpg\" align=\"middle\"><\/td>\n<td><a href=\"https:\/\/frzl.ru\/index.php\/lyric\/moments\/\"> \u00abMoments\u00bb<\/a> (2018, Frozen Light)  <\/td>\n<\/tr\n\n\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/www.frzl.ru\/wp-content\/uploads\/2016\/08\/eig-disk-50x50.jpg\"  align=\"middle\"><\/td>\n<td><a href=\"https:\/\/frzl.ru\/index.php\/2016\/08\/03\/one-lumen-in-the-past\/\"> \u00abOne Lumen In The Past\u00bb <\/a> (2016, Frozen Light)  <\/td>\n<\/tr\n\n\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/www.frzl.ru\/wp-content\/uploads\/2016\/08\/eig-cover-50x50.jpg\"  align=\"middle\"><\/td>\n<td><a href=\"https:\/\/frzl.ru\/index.php\/2016\/08\/26\/hysterics-of-the-eternal\/\"> \u00abHysterics Of The Eternal\u00bb <\/a> (2016, Frozen Light\/Zhelezobeton)  <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abAudiometry\u00bb (2004, \u0415\u0420, Still*Sleep \/ Daphnia Records) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abNowadays Warm\u00bb (2004, album, Daphnia Records) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abPermonency Penetrating \/ Sarga\u00bb \u200e(2005, album, Daphnia Records) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abNameless Droplet\u00bb \u200e(2005, album, Mystery Sea) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abMagnetoline\u00bb \u200e(2006, album, Daphnia Records) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abEmotional Resounding\u00bb \u200e(2007, album, Daphnia Records) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abSub Pluvia\u00bb (2007, album, Daphnia Records) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abRadionarayan\u00bb (2007, album, Daphnia Records) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abTwilight Waters\u00bb (2007, album, Abgurd) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abDim Lines\u00bb (2008, album, Daphnia Records) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abHum \/ Misery \/ Exit In Grey\u00bb (\u0441\u043f\u043b\u0438\u0442 \u0441 Hum \u0438 Misery) (2008, album, \u041b\u0438\u043d\u0438\u044f \u0428\u0443\u043c\u0430) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abRaktasonic\u00bb (2008, album, Daphnia Records) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abStorms\u00bb (2011, \u043a\u0430\u0441\u0441\u0435\u0442\u043d\u044b\u0439 \u0430\u043b\u044c\u0431\u043e\u043c, Abgurd) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abPeaceful Landscape \/ Environment Despair\u00bb \u200e(2011, \u043a\u0430\u0441\u0441\u0435\u0442\u043d\u044b\u0439 \u0430\u043b\u044c\u0431\u043e\u043c, \u042f\u041e\u041f) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abPerception\u00bb (2012, album, Daphnia Records) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abShadows Of Stillness\u00bb (2013, album, Muzyka Voln) <\/td>\n<\/tr>\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/discography_50.png\" align=\"middle\"\/><\/td>\n<td>\u00abDust Storm\u00bb (ft Fanum) (2013, album, Daphnia Records) <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr>\n<p><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2020\/06\/Exit-in-Grey-artist.jpg\"><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.frzl.ru\/wp-content\/uploads\/2016\/05\/eig-artist.jpg\"><br \/>\n<img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/exit-in-grey-2024-1.jpg\"><\/p>\n<p><a href=\"http:\/\/www.all.semperflorens.net\/\" target=\"_blank\" rel=\"noopener noreferrer\">semperflorens<\/a><br \/>\n<a href=\"https:\/\/soundcloud.com\/suhovik\" target=\"_blank\" rel=\"noopener noreferrer\">soundcloud<\/a><br \/>\n<a href=\"http:\/\/vk.com\/exitingrey\" target=\"_blank\" rel=\"noopener noreferrer\">VK<\/a>\t<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Exit In Grey is a project by Sergey Suhovik, musician and artist from the sub-Moscow city of Pushkino. Stanislav Volkov (1984-2012, the project is Abandoned Head) was a second member of Exit In Grey until 2006., Exit In Grey music is concurrently beautiful and disturbing, painful and clear Drone Ambient created mostly with the help [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4467,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/posts\/1409"}],"collection":[{"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/comments?post=1409"}],"version-history":[{"count":17,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/posts\/1409\/revisions"}],"predecessor-version":[{"id":6429,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/posts\/1409\/revisions\/6429"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/media\/4467"}],"wp:attachment":[{"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/media?parent=1409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/categories?post=1409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/tags?post=1409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}