{"id":5280,"date":"2009-04-27T11:53:00","date_gmt":"2009-04-27T08:53:00","guid":{"rendered":"https:\/\/test.frzl.ru\/?p=5280"},"modified":"2024-07-03T12:14:33","modified_gmt":"2024-07-03T09:14:33","slug":"plays-for-piano","status":"publish","type":"post","link":"https:\/\/frzl.ru\/index.php\/2009\/04\/27\/plays-for-piano\/","title":{"rendered":"Plays For Piano"},"content":{"rendered":"<style>\n#col{max-width: 400px;}\n#d{padding:10px;}\n\t#txt{max-width:400px;}\n#info{padding-bottom:20px;}\n<\/style>\n<div id=\"info\"><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/03\/snowfl.png\" align=\"middle\"\/><small>   FZL 000<\/small><\/div>\n<div id=\"info\"><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/03\/calendar.png\" align=\"middle\" \/><small><b>   04.2009<\/b><\/small>\n<\/div>\n<div id=\"txt\">\n<hr>\n<h3>Description:<\/h3>\n<p>The second album by <a href=\"https:\/\/frzl.ru\/index.php\/2015\/04\/28\/sergey-geichenko\/\"> Sergey Geichenko<\/a> \u2013 Moscow-based composer, poet, writer, etc.<\/p>\n<p>You will open a conceptual musical canvas, based on the Sergey\u2019s literary works (also featuring songs based on&nbsp;Alexander Pushkin\u2019s and&nbsp;Velimir Khlebnikov\u2019s poetry). Musically the&nbsp;album \u201cdangles\u201d somewhere between industrial, noise ambient, folk and classical music, based on the&nbsp;strong rock roll platform. Written and almost everything performed by&nbsp;Sergei himself (from piano and guitar to&nbsp;basins, gates and even mane comb solo). Some sections contributed by Anton Zhokh (drums), Anton Grishin (electric guitar) A.B. (bass guitar and voice) and <a href=\"https:\/\/frzl.ru\/index.php\/2015\/04\/28\/maxim-markevich\/\" >Maxim Markevich<\/a> (artwork).<\/p>\n<p>Attentive listener will find a lot of surprises!<\/p>\n<p>In Russian language.This CDr seems to be the&nbsp;first Frozen Light regular release, issued in&nbsp;spring 2009. The&nbsp;CDr contains piano pieces written in middle 2000s by&nbsp;Sergey Geichenko. Partly these plays are revorked musical themes written for <a href=\"https:\/\/frzl.ru\/index.php\/2015\/04\/29\/children-of-hangover\/\"> \u201cChildren of&nbsp;a&nbsp;hangover\u201d<\/a> mutistyled band, and partly these plays are also seemed to be musical illustrations for&nbsp;Sergey\u2019s literary works.<\/p>\n<table>\n<tbody>\n<tr>\n<td>1.<\/td>\n<td>\u0421\u043b\u0443\u0436\u0431\u0430<\/td>\n<td width=\"25\">4:25<\/td>\n<\/tr>\n<tr>\n<tr>\n<td>2.<\/td>\n<td>\u0414\u0432\u0430\u0434\u0446\u0430\u0442\u044c \u0427\u0451\u0442\u0432\u0451\u0440\u0442\u043e\u0435 \u0424\u0435\u0432\u0440\u0430\u043b\u044f<\/td>\n<td width=\"25\">5:02<\/td>\n<\/tr>\n<tr>\n<td>3.<\/td>\n<td>\u0418\u043c<\/td>\n<td width=\"25\">4:26<\/td>\n<\/tr>\n<tr>\n<td>4.<\/td>\n<td>\u041f\u0435\u0440\u0435\u0434 \u041f\u043e\u0441\u0432\u044f\u0449\u0435\u043d\u0438\u0435\u043c<\/td>\n<td width=\"25\">0:42<\/td>\n<\/tr>\n<tr>\n<td>5.<\/td>\n<td>\u041f\u043e\u0441\u0432\u044f\u0449\u0435\u043d\u0438\u0435<\/td>\n<td width=\"25\">4:00<\/td>\n<\/tr>\n<tr>\n<td>6.<\/td>\n<td>\u041a\u0430\u0448\u0430<\/td>\n<td width=\"25\">6:35<\/td>\n<\/tr>\n<tr>\n<td>7.<\/td>\n<td>\u041f\u0451\u0442\u0440 \u0421\u0435\u0440\u0433\u0435\u0435\u0432\u0438\u0447<\/td>\n<td width=\"25\">3:23<\/td>\n<\/tr>\n<tr>\n<td>8.<\/td>\n<td>\u041e\u0431\u044b\u0447\u043d\u044b\u0435 \u0417\u0430\u043d\u044f\u0442\u0438\u044f<\/td>\n<td width=\"25\">2:01<\/td>\n<\/tr>\n<tr>\n<td>9.<\/td>\n<td>\u041c\u044b<\/td>\n<td width=\"25\">1:12<\/td>\n<\/tr>\n<tr>\n<td>10.<\/td>\n<td>\u041f\u044c\u0435\u0441\u0430 \u0424\u0430 \u041c\u0438\u043d\u043e\u0440<\/td>\n<td width=\"25\">4:13<\/td>\n<\/tr>\n<tr>\n<td>11.<\/td>\n<td>\u0414<\/td>\n<td width=\"25\">3:59<\/td>\n<\/tr>\n<tr>\n<td>12.<\/td>\n<td>\u0412 \u041c\u043e\u0435\u0439 \u0413\u043e\u043b\u043e\u0432\u0435<\/td>\n<td width=\"25\">3:06<\/td>\n<\/tr>\n<tr>\n<td>13.<\/td>\n<td>\u0417\u0438\u043c\u0430<\/td>\n<td width=\"25\">4:15<\/td>\n<\/tr>\n<tr>\n<td>14.<\/td>\n<td>\u0410\u043f\u0435\u0439\u0440\u043e\u043d<\/td>\n<td width=\"25\">3:28<\/td>\n<\/tr>\n<tr>\n<td>15.<\/td>\n<td>\u041f\u0435\u0440\u0435\u0434<\/td>\n<td width=\"25\">0:30<\/td>\n<\/tr>\n<tr>\n<td>16.<\/td>\n<td>\u041a\u043e\u043b\u043e\u043d\u043d\u043e\u0435<\/td>\n<td width=\"25\">3:40<\/td>\n<\/tr>\n<tr>\n<td>17.<\/td>\n<td>\u041a\u043e\u043d\u0435\u0446<\/td>\n<td width=\"25\">2:03<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a href=\"https:\/\/www.discogs.com\/%D0%A1%D0%B5%D1%80%D0%B3%D0%B5%D0%B9-%D0%93%D0%B5%D0%B9%D1%87%D0%B5%D0%BD%D0%BA%D0%BE-%D0%A4%D0%BE%D1%80%D1%82%D0%B5%D0%BF%D0%B8%D0%B0%D0%BD%D0%BD%D1%8B%D0%B5-%D0%9F%D1%8C%D0%B5%D1%81%D1%8B\/master\/576892\" target=\"_blank\" rel=\"noopener noreferrer\">discogs<\/a><br \/>\n<a href=\"http:\/\/frozenlightlabel.bandcamp.com\/album\/sergey-geychenko-text\" target=\"_blank\" rel=\"noopener\">bandcamp<\/a><\/p>\n<hr>\n<p><b><img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/05\/cd-01.png\" align=\"middle\"\/> CDr. Jewel box with 4-page booklet, limited to&nbsp;50&nbsp;hand-numbered and signed copies. Last 10&nbsp;copies contain 3&nbsp;additional music tracks, as&nbsp;well as a certain number of&nbsp;empty tracks calculated the&nbsp;total number of&nbsp; tracks equal to&nbsp;the&nbsp;disk number (for example, CDr number 41 features 41&nbsp;track)<\/b>\n\t\t<\/p>\n<div>\n<img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/04\/plays-for-piano-2024-ft.jpg\"><br \/>\n<img decoding=\"async\" src=\"https:\/\/frzl.ru\/wp-content\/uploads\/2024\/03\/plays-for-piano-2024.jpg\">\n<\/div>\n<p>Sold out\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>FZL 000 04.2009 Description: The second album by Sergey Geichenko \u2013 Moscow-based composer, poet, writer, etc. You will open a conceptual musical canvas, based on the Sergey\u2019s literary works (also featuring songs based on&nbsp;Alexander Pushkin\u2019s and&nbsp;Velimir Khlebnikov\u2019s poetry). Musically the&nbsp;album \u201cdangles\u201d somewhere between industrial, noise ambient, folk and classical music, based on the&nbsp;strong rock roll [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5774,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[228],"tags":[229],"_links":{"self":[{"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/posts\/5280"}],"collection":[{"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/comments?post=5280"}],"version-history":[{"count":22,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/posts\/5280\/revisions"}],"predecessor-version":[{"id":6869,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/posts\/5280\/revisions\/6869"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/media\/5774"}],"wp:attachment":[{"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/media?parent=5280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/categories?post=5280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/frzl.ru\/index.php\/wp-json\/wp\/v2\/tags?post=5280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}